What it is:
Short animated film/video to be shown at youth oriented Christian
outreach services.
Target Audience:
Non-believer teens to twenty-somethings. Those that may be resistant to traditional Christian doctrine. The audience perspective is assumed to be
that of ones who perceive themselves as having been adversely “affected”
by their parents, authority, society etc. leading to a self centered victimhood.
Goal:
The Gospel and its traditional parables was written to an agrarian culture.
We will tell the parable of the seeds in a different way. The hope is that the target audience will be somewhat receptive to an abstraction that
provokes thought.
The film will be an animated modern metaphor of the sower
from Matthew 13.
Through an abstract analogy, we will show them how dire their
current course is. How it leads inevitably to death and an empty eternity.
So, when they encounter the name of Jesus, as they will when they view this film, how will they react? We want to make them aware that accepting the name of Jesus will change their lives in this world and the next.
After we get them to identify with situations and characters depicting the
types of soil from the parables, we want to leave the viewer with the question: “What kind of soil am I in today’s world? And who is this Jesus that changes?”
The film does not directly elucidate Christian doctrine in the traditional way
(explaining the saving grace of the Blood of the Cross, or who Jesus is in history, or why atonement is needed). Using some obvious but strong metaphors, it presents the fact that in an increasingly distracting world,
Jesus will change your fate in it and for eternity.
The greater purpose of the presentation is to spur curiosity and investigation into Christ’s saving message, not to explain what the message is
or even whom the person of Christ is.
Vehicle:
An animated CGI short (estimated 8-10 minute) depicting common human experiences in an abstract way. We want to create a “think piece” that will stir the mind and let the Holy Spirit do the rest.
Explanation will be the responsibility of the follow up ministry (yet to be outlined) to drive home the Scriptural message. Many opportunities for discussion will naturally proceed.
Plot Outline:
The audience sees through the eyes of an “alien” explorer piloting
some sort of craft through a strange world. We watch from his craft and through his 2 drones as they follow the experiences of multiple characters on their journey flying though life. It will become obvious that the wold he is exploring is our human existence.
The characters we follow are based on the Biblical soils in both humorous
and tragic ways that mirror a modern non-believer’s experience.
The world is a grey place, in fact the entire setting is in shades of
black and white.
Color is used only to accent our Spirit. The human characters start in color
and gradually turn grey as they fly through the world. The only dialog
between characters consists of variations and inflections of “blah, blah, blah” and the spoken Word “Jesus”. The contrast of gibberish to the spoken name
of “Jesus” will be stark for impact. The Word, “Jesus” brings color back into grey characters and changes their direction.
As the human characters experience transformation, so does the alien transition from that of a safely detached observer to one being physically affected by what he observes. This interaction causes the explorer to have to make life changing decisions to survive. The viewing audience, as casual observer, identifying itself from the point of view of the alien, will in turn be drawn into the decision making process.
In pursuit of more information about why all these things have been frozen in space, and in continuance of its original goal to seek colorful life, curiosity drives The AE to take a closer look than ever before. As The AE craft takes a sweeping look at the scattered stuff, the motion sensor danger signal goes off on screen. The navigation screen of The AE craft begins to emit other warnings, but The AE is wrapped up in this new discovery.
This is building a sense of real world danger for The AE.
Faintly in the distance we begin to hear a girl’s voice “blah-ing” nervously like she is counting. It is getting louder. The AE craft whirls away from the invisible barrier wall to see what is approaching and focuses on a massive pile of books hurtling toward the invisible splattered wall. It crashes nearby with a screen-shaking intensity, books sliding everywhere along the invisible wall of the barrier, right next to Weedy Soil Guy. We recognize that it is Rocky Soil Girl, but as an older lady. When last we saw her she was pursuing books. (She has some distinguishing details to clearly identify her many years later.) Shaken but still curious, timidly, The AE craft approaches her. We witness that same frozen grimace as Weedy Soil Guy. At that moment the alarms go off again, this time even more frantically.
Unsteadily The AE turns the craft again, away from the debris and wreckage to see a massive group of objects hurtling toward it. Realizing that they are now in real danger, The AE and Probe 2 take evasive action. With houses, cars, factories (big stuff) slamming into the invisible barrier, the impact causes the pane of debris to pulse outward like a wave; The AE and Probe 2 narrowly avoid being crushed. The AE rapidly accelerates out of the way as they move along the gathered wreckage & debris caught by the barrier.
As it quiets down again, Probe 2 reexamines the now nearly endless plane of debris. One last piece approaches the invisible barrier. Probe 2 turns to look, and we realize it cannot avoid being hit by this piece. “Oh no…” The screen goes black like a video camera hit by a baseball. The view switches back to The AE’s on board camera and we see the large statue which has crushed Probe 2. It is a statue of The PG (Path Guy) looking all heroic, just as some bird droppings splat on the statue’s face (I know, I didn’t see a bird either). We see PG’s accumulated wealth and fame in its final context: a vast pile of stuff spread out on the debris plane. Why is all this junk flying into this invisible barrier? What is it?